A: All sorts. I prefer 'running into' my mediums like finding old stuff or to put it rather bluntly, I'll use whatever happens to be around me.
Q: When did you start becoming dedicated to your means of artistic expression? What was the trigger?
A: The start is hard to pin point but theres roots in the art lessons I took as a child in Japan. From there, it was just layers of exposure to various art experiences over the years.
Q: What/Where do you get your inspirations from?
A: I start with science, nature, and the city. Im also particular in the age of the information. Fond of old scientific illustrations, instruments, and so forth.
Q: What made you join this SIR exhibition?
A: Can't possibly pass up an opportunity like this to be work along with some of these experimental artists of SIR.
Q: Tell us a little bit about your vision of your art work at the show "Colorless Spectrum". How do you interpret the theme Colorless Spectrum?
A: Well, honestly, its still rather quite vague but it should be multi-dimensional. There will definitely be a sense of time and a warm tone to it all. Some lights maybe. The concept of Colorless Spectrum can be extracted in all sorts of directions it looks like; I see a circular spectrum not with a separate beginning and an end but connected. Colorlessness of the spectrum perhaps refers to the idea that theoretically with all colors combined gives you true white light.
Q: Do you love Japan?
A: Yes. The food, especially.
Q: Do you have any message to the audience?
A: Tell 'em its a show.
No comments:
Post a Comment